- الصفحة الرئيسية
- مراكز البحوث
- SAM
- The Issues Concerning the Origin of Turkish Cinema History
SAM ROUNDTABLE MEETINGS
The Issues Concerning the Origin of Turkish Cinema History
Barış Saydam
30 Kasım 2018 Cuma 17:00 Salon: ŞAKİR KOCABAŞ SALONU
On November 30th 2018, Center for Art Studies will host Barış Saydam under the Kırkambar Dissertations and Articles. He will deliver a speech about “The issues concerning the origin of Turkish cinema history” based on his thesis.
The event will be held in Şakir Kocabaş Hall of the Foundation for Sciences and Arts at 17:00.
The event will be presented in Turkish, and is free to public
İLGİLİ YUVARLAKMASALAR
- Toz Ruhu Movie Talk
- Dream (Rüya)
- Album
- The Apprentice (Çırak)
- The Idea and Practice of Justice in the Ottoman Empire
- Entertainment Culture of Ottoman Istanbul and Karagöz
- Cold of Kalandar
- Transformation of Art in Türkiye
- Tarih Yolunda Tanıdıklarım
- Islamic Visual Culture between Theory and Practice
- Histrocitiy of the World in Hegel and Heidegger
- A Recently-Emerged Loner in Anatolia
- Tensional Friendship Between Literature and Cinema
- Cicadas and Ants
- Traditional Performing Arts in Ottoman and Cinema
- A New Method in History Investigations: Ottoman Archaeology
- Cinema at the Crossroads of Philosophy and Literature
- All Felicities Are Possible
- Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
- Dramaturgy in the Texts of Karagöz
- Istanbul, Modernity, and Cinema
- A Shattered Story of a First: On the Beginning of Turkish Cinema
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- Something Useful
- Silent Sinema and Public Space in Istanbul
- Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
- Levâmi'u'n-Nûr (Text-Assesment)
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- General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
- An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
- Philosophical Hermeneutics and Art
- The Birth of Modern Family and House in Istanbul Since
- Mirâciyye
- Tanpınar and the Third Eye of Ra
- Film as a Material of History
- Ottoman History in America
- A Neighborhood Fiction: İznik Toki Houses
- America and the Making of Modern Turkey: Science, Culture and Political Alliances
- Aesthetic of Third Cinema
- Tanburi Cemil Bey
- Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
- Never Leave Me
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- Cinema and Philosophy
- Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
- From the 19th Century to the Present: Romance, Melancholy and Politics
- Cultural Production Spaces in Ottoman Society
- The Legend of Yaşar Kemal
- The making of a cinema culture through cinema magazines in early Republican Turkey
- Yahşibey Houses
- A Research on Benjamin's Concept of History as a Possibility of Poltical Praxis
- Cinema Between Reality and Magic
- Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
- A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
- İmparatorlukla Cumhuriyet Arasında Mustafa Kemal'in Gazetesi: Hakimiyet-i Milliye (1920-1924)
- The Story of Impossible Love: Vesikalı Yarim
- The Genius Grandson of the Prophet: Şerif Muhiddin Targan
- The Latecomer Home
- Let Children Play
- Celebratory Poems
- Talk with Dudley Andrew
- Mesud Cemil
- Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
- Çoker House
- History of a Göynük House: Four Generation Two Architects
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- Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
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- The Mute
- Crosroads
- Turkish Cinema and Popular Music
- The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
- The Trap
- The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
- Film Setinden Notlar: Yapımcılık
- Cultural Policies in the Centennial of the Republic
- Notes from Film Set 2: Art Direction
- Film Setinden Notlar 3: Yardımcı Yönetmenlik
- Film Setinden Notlar 4: Görüntü Yönetmenliği
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- Dünya Sinemasında Peygamber
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SEMINARS
As the most traditonal activity of BISAV, the courses take place in every fall and spring of a year.
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