ROUNDTABLE MEETINGS

Biyografilerin İzinde Türk Sineması 2: Ne Kadar Gamlı Bu Akşam Vakti

Murat Pay, Yusuf Ziya Gökçek

24 نوفمبر, 2023 05:30 م Salon: ŞAKİR KOCABAŞ SALONU

• Dervish Lodge Inscriptions in Ottoman Caligraphy
• Paradigmayı Aşalım, Evet ama Nasıl?
• Sanatın Sınırları ve Anlam Yitimi
• Karşılaştırmalı Çokkültürlülük
• 1970'lerden Günümüze Türkiye'de Sinema Dergiciliği ve Sinema Yazarlığı
• Türkiye’de Sinema Dergiciliğinin Tarihi
• İmge ve Metin: Yazı ve Resim Nasıl Bir Araya Gelir?
• Mekana Özgü Sanat Projelerinde İzleyici Olmanın Riskleri
• Modern Zamanlar: Merkezin Uzağında Sinema Dergiciliği
• Sinema Dergilerinin Türkiye Sinemasına Etkisi
• Mekân / Yazı / Ses: Osmanlı'da Kadınların Camii Hamiliğine İlişkin Bir İnceleme
• II.Bayezid Dönemi Tezhip Sanatı
• Photography and Memory
• Gölge Oyunu Karagöz ve Sinema
• Geç Osmanlı Dünyasında Mimarlık ve Hafıza - Arşiv, Jübile, Âbide
• Music and Memory
• Metaphysical Evil and Art
• The Otherness of Chinese Culture - 1919-1989
• Marleau-Ponty and The Logos of Aesthetic World
• A STORY OF AHMET ULUÇAY: KÜLLER VE KEMİKLER
• Undeclared Notes from the Workshop
• The Analysis of Characters in Kış Uykusu
• The Principles of Ahmet Uluçay in Turkish Cinema
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Dream (Rüya)
• On the Track of Tale
• Alafranga Halleri: Geç Osmanlı'da Adab-ı Muaşeret
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• The Birth of Thought Organizations and Mediator Intellectuals
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• A Life Devoted to Turcology
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Biyografi Çalışmak
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Tarih Yolunda Tanıdıklarım
• Islamic Visual Culture between Theory and Practice
• Karagoz and Cinema
• A Recently-Emerged Loner in Anatolia
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• Örencik Houses
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• A Trilogy on the House: Bademli - Hacımercan – Yedievler
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• Biography in Turkey
• Something Useful
• A Wooden Building Cooperative in Afyon
• Silent Sinema and Public Space in Istanbul
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Writing Human: An Analysis of Ottoman Biography Authorship and Its Problems in the 19th Century
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Spatial Rural Socio-Economic and Cultural Transformation in Turkey
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• A Neighborhood Fiction: İznik Toki Houses
• America and the Making of Modern Turkey: Science, Culture and Political Alliances
• Aesthetic of Third Cinema
• Tanburi Cemil Bey
• Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• House Indeed: An Adobe House in Kahramanmaraş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• History of Naval in Ottoman
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• Beşir Fuat'ın Victor Hugo ve Voltaire Biyografilerinde Özne, Edebiyat Eleştirisi ve Yazınsal Uzlaşım
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• The Story of Two Houses in Fatih
• The 200-year Story of the Wooden House in the US
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• The Story of Impossible Love: Vesikalı Yarim
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Let Children Play
• Talk with Dudley Andrew
• From Poet Museums to Poetry Museums: A Design Proposal for Yahya Kemal Museum
• The Ottoman Printing Enterprise: Legalization, Agency and Networks, 1831-1863
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Kahve Beğenisi Geliştirmek: İstanbul’daki Nitelikli Kahve Evleri
• The correlation between art and ethics in the context of Kantian aesthetics and the basis of conceptual art
• History of a Göynük House: Four Generation Two Architects
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• 19. Yüzyılda Kendini Yazmak: Nigar Hanım'ın Günlüklerinde Benlik İnşası
• The Mute
• Crosroads
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• A Sigmund Weinberg Docu-drama
• The Trap
• İnsanlık İçin Sanat ve Mimarlık: Murmuration
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• Tek ve Tenha: Akif Emre
• Discussing Hasan Âli Yücel
• Film Setinden Notlar: Yapımcılık
• Etnomüzikoloji: Kültürler ve Müzikler
• Notes from Film Set 2: Art Direction
• Modern Türk Sanatını Tartışmak
• Fas'ta İslam Mimarisi: Kuruluşundan Sa'dîler'in Sonuna Kadar
• Film Setinden Notlar 3: Yardımcı Yönetmenlik
• Film Setinden Notlar 4: Görüntü Yönetmenliği
• Perdedeki Öykü: Öyküden Sinemaya Uyarlamalar
• Karahanlı Devri Mimarisi ve Bezemeleri
• Biyografilerin İzinde Türk Sineması 3: Film Gibi Yaşadım
• Biyografilerin İzinde Türk Sineması 4: Hatıralar, Türk Sinemasında 65 Yıl
• Dünya Sinemasında Peygamber